All Edward Matthew Ward's oil paintings
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| ID |
Image |
Oil Pantings, Sorted from A to Z |
Other Information |
| 94611 |
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Dr. Johnson in the ante-room of Lord Chesterfield in Chesterfield House, Westminster. |
cjr |
| 94608 |
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Hogarthian image of the South Sea Bubble |
cjr |
| 94609 |
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Leicester and Amy Robsart at Cumnor Hall |
1866
cjr |
| 24222 |
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Queen Victoria at the Tomb of Napoleon (mk25) |
24 August 1855
1860 |
| 19154 |
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Sir Thomas More's Farewell to his Daughter |
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| 834 |
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The Figurantes |
1877 |
| 24221 |
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The Investiture of Napoleon III with the Order of the Garter 18 April 1855 (mk25) |
1860 |
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| Edward Matthew Ward
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| British Painter.
1816-1879
His parents encouraged his early interest in art. He was sent to a number of art schools, including that of John Cawse (1779-1862), before gaining entry to the Royal Academy Schools in 1835. He first exhibited at the Royal Academy in 1834 with Adelphi Smith as Don Quixote (untraced). In 1836 he went abroad for further study, visiting Paris and Venice on the way to Rome, where he spent three years. His first work of any consequence was Cimabue and Giotto (untraced), which he sent back to the Royal Academy show of 1839. On the way back to England at the end of that year Ward visited Munich to learn the technique of modern fresco painting in order to take part in the competition to decorate the Palace of Westminster, but his cartoon, Boadicea (1843; untraced), was unsuccessful. However, in 1852 he was commissioned to produce eight pictures for the Palace of Westminster, on subjects drawn from the English Civil War, the best of which is the Last Sleep of Argyll (1860s) in the Commons Corridor of the Houses of Parliament
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